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	<title>Object.International — Cargo Example Site</title>
	<link>https://object.cargo.site</link>
	<description>Object.International — Cargo Example Site</description>
	<pubDate>Tue, 28 Aug 2018 18:17:21 +0000</pubDate>
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		<title>Home Image Scroll</title>
				
		<link>https://object.cargo.site/Home-Image-Scroll</link>

		<pubDate>Wed, 11 Jul 2018 14:05:01 +0000</pubDate>

		<dc:creator>Object.International — Cargo Example Site</dc:creator>

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&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/98f1238c44fb2af27231b476d50aece762883a252d602fc56e764c102e5d8ddf/1.jpg" data-mid="23143261" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/98f1238c44fb2af27231b476d50aece762883a252d602fc56e764c102e5d8ddf/1.jpg" /&#62;&#60;img width="2000" height="2501" width_o="2000" height_o="2501" data-src="https://freight.cargo.site/t/original/i/f1aa9de6b248b58d0a7aa9bfe48e11b2813b6e937033f0aaaa0e292e4dcc162d/i.jpg" data-mid="21603929" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/f1aa9de6b248b58d0a7aa9bfe48e11b2813b6e937033f0aaaa0e292e4dcc162d/i.jpg" /&#62;&#60;img width="2000" height="2416" width_o="2000" height_o="2416" data-src="https://freight.cargo.site/t/original/i/77ea4cfa46b89f526ab87e288230ba96b12d7d45982387198e5c365f3b6a924c/j.jpg" data-mid="21603959" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/77ea4cfa46b89f526ab87e288230ba96b12d7d45982387198e5c365f3b6a924c/j.jpg" /&#62;</description>
		
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		<title>Ursula K Le Guin</title>
				
		<link>https://object.cargo.site/Ursula-K-Le-Guin</link>

		<pubDate>Wed, 11 Jul 2018 17:34:48 +0000</pubDate>

		<dc:creator>Object.International — Cargo Example Site</dc:creator>

		<guid isPermaLink="true">https://object.cargo.site/Ursula-K-Le-Guin</guid>

		<description>1. Ursula K Le Guin



	&#60;img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/66303584544fb48a22200ca159ded6f920008f2a28fa28ade954194c696226db/aaa.jpg" data-mid="21615129" border="0"  src="https://freight.cargo.site/w/1000/i/66303584544fb48a22200ca159ded6f920008f2a28fa28ade954194c696226db/aaa.jpg" /&#62;
	&#60;img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/fda6a412240d787c0bd3c99938413fb1257682784bc6f7ff64b3b23678d1f0d9/r2.jpg" data-mid="21872879" border="0"  src="https://freight.cargo.site/w/1000/i/fda6a412240d787c0bd3c99938413fb1257682784bc6f7ff64b3b23678d1f0d9/r2.jpg" /&#62;




UKG / 1974
From The Author of the Acacia Seeds
and Other Extracts
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; And with them, or after them, may there not come that even bolder adventurer — the first geolinguist, who, ignoring the delicate, transient lyrics of the lichen, will read beneath it the still less communicative, still more passive, wholly atemporal, cold, volcanic poetry of the rocks: each one a word spoken, how long ago, by the earth itself, in the immense solitude, the immenser community, of space. 




	&#60;img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/29e71568ecef7a96e92062f9fc6b3789e9c8277e6d7568b1558bef41cf2e66bc/a.jpg" data-mid="21873211" border="0"  src="https://freight.cargo.site/w/1000/i/29e71568ecef7a96e92062f9fc6b3789e9c8277e6d7568b1558bef41cf2e66bc/a.jpg" /&#62;
001a

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001b

	&#60;img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/17fc6c7312e692340c7e67b299a41656814c387a1efd6b6e1cbbdd62121801ac/c.jpg" data-mid="21873217" border="0"  src="https://freight.cargo.site/w/1000/i/17fc6c7312e692340c7e67b299a41656814c387a1efd6b6e1cbbdd62121801ac/c.jpg" /&#62;
001c



&#60;img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/fda6a412240d787c0bd3c99938413fb1257682784bc6f7ff64b3b23678d1f0d9/r2.jpg" data-mid="21872879" border="0"  src="https://freight.cargo.site/w/1000/i/fda6a412240d787c0bd3c99938413fb1257682784bc6f7ff64b3b23678d1f0d9/r2.jpg" /&#62;</description>
		
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		<title>Walter Pater</title>
				
		<link>https://object.cargo.site/Walter-Pater</link>

		<pubDate>Tue, 07 Aug 2018 19:08:59 +0000</pubDate>

		<dc:creator>Object.International — Cargo Example Site</dc:creator>

		<guid isPermaLink="true">https://object.cargo.site/Walter-Pater</guid>

		<description>2. Walter Pater



	&#60;img width="2000" height="2551" width_o="2000" height_o="2551" data-src="https://freight.cargo.site/t/original/i/c242e961677e6c1660576645169e70f8dd816569faf60ea3a1477f20cc5bf3a9/g.jpg" data-mid="21884845" border="0"  src="https://freight.cargo.site/w/1000/i/c242e961677e6c1660576645169e70f8dd816569faf60ea3a1477f20cc5bf3a9/g.jpg" /&#62;
	&#60;img width="2000" height="2551" width_o="2000" height_o="2551" data-src="https://freight.cargo.site/t/original/i/828eaf2939fce33a7e7efc22793555135f08f89e84ec59fb60bbe278131549aa/bb.jpg" data-mid="21888908" border="0"  src="https://freight.cargo.site/w/1000/i/828eaf2939fce33a7e7efc22793555135f08f89e84ec59fb60bbe278131549aa/bb.jpg" /&#62;




WP / 1873
From Studies in the History of the Renaissance 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Like the elements of which we are composed, the action of these forces extends beyond us; it rusts iron and ripens corn. Far out on every side of us those elements are broadcast, driven by many forces; and birth and gesture and death and the springing of violets from the grave are but a few out of ten thousand resultant combinations. That clear, perpetual outline of face and limb is but an image of ours, under which we group them - a design in a web, the actual threads of which pass out beyond it.




	&#60;img width="2000" height="2551" width_o="2000" height_o="2551" data-src="https://freight.cargo.site/t/original/i/af714e59d1c0801c590eb145d00f2cc1d622067790157999ad01fe261410cd16/aa.jpg" data-mid="21888909" border="0"  src="https://freight.cargo.site/w/1000/i/af714e59d1c0801c590eb145d00f2cc1d622067790157999ad01fe261410cd16/aa.jpg" /&#62;
001a

	&#60;img width="2000" height="2551" width_o="2000" height_o="2551" data-src="https://freight.cargo.site/t/original/i/aa45f9524f4926f4e12f565eb471f61ab0bbf6a58b40c28c87d45f87e432f450/cc.jpg" data-mid="21888910" border="0"  src="https://freight.cargo.site/w/1000/i/aa45f9524f4926f4e12f565eb471f61ab0bbf6a58b40c28c87d45f87e432f450/cc.jpg" /&#62;
001b
</description>
		
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	<item>
		<title>Thomas Kuhn</title>
				
		<link>https://object.cargo.site/Thomas-Kuhn</link>

		<pubDate>Tue, 07 Aug 2018 20:55:54 +0000</pubDate>

		<dc:creator>Object.International — Cargo Example Site</dc:creator>

		<guid isPermaLink="true">https://object.cargo.site/Thomas-Kuhn</guid>

		<description>3. Thomas Kuhn &#38;nbsp;


&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/fccb86a6577cd820d076bd1aa30988e58eb612d51328b83a1ad610280dd158cb/2.jpg" data-mid="21889923" border="0"  src="https://freight.cargo.site/w/1000/i/fccb86a6577cd820d076bd1aa30988e58eb612d51328b83a1ad610280dd158cb/2.jpg" /&#62;

TK / 1962
From The Structure of Scientific Revolutions
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Yet one standard product of the scientific enterprise is missing. Normal science does not aim at novelties of fact or theory and, when successful, finds none. New and unsuspected phenomena are, however, repeatedly uncovered by scientific research, and radical new theories have again and again been invented by scientists. 

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The practice of normal science depends on the ability, acquired from exemplars, to group objects and situations into similarity sets which are primitive in the sense that the grouping is done without an answer to the question, “Similar with respect to what?” One central aspect of any revolution is, then, that some of the similarity relations change. Objects that were grouped in the same set before are grouped in different ones afterward and vice versa. Think of the sun, moon, Mars, and earth before and after Copernicus; of free fall, pendular, and planetary motion before and after Galileo; or of salts, alloys, and a sulpuhur-iron filing mix before and after Dalton.


&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/81cbeaaf1cb94c3394f999c2487775d300f3de4d20b1ab9527db0c75ac1c7377/1.jpg" data-mid="21889920" border="0"  src="https://freight.cargo.site/w/1000/i/81cbeaaf1cb94c3394f999c2487775d300f3de4d20b1ab9527db0c75ac1c7377/1.jpg" /&#62;

&#60;img width="2000" height="2786" width_o="2000" height_o="2786" data-src="https://freight.cargo.site/t/original/i/b608340a741d7a9fd2f42fb184867ca5e93f6e0f4f369ad7738587a19a6ca067/a.jpg" data-mid="21889963" border="0"  src="https://freight.cargo.site/w/1000/i/b608340a741d7a9fd2f42fb184867ca5e93f6e0f4f369ad7738587a19a6ca067/a.jpg" /&#62;</description>
		
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		<title>Loren Eiseley</title>
				
		<link>https://object.cargo.site/Loren-Eiseley</link>

		<pubDate>Tue, 07 Aug 2018 21:14:43 +0000</pubDate>

		<dc:creator>Object.International — Cargo Example Site</dc:creator>

		<guid isPermaLink="true">https://object.cargo.site/Loren-Eiseley</guid>

		<description>4. Loren Eiseley



	&#60;img width="2000" height="2700" width_o="2000" height_o="2700" data-src="https://freight.cargo.site/t/original/i/52edac0a32ddee92e030f8abeb8d0863df298c6e5f7f66f163e55dc4682783a8/22.jpg" data-mid="21890501" border="0"  src="https://freight.cargo.site/w/1000/i/52edac0a32ddee92e030f8abeb8d0863df298c6e5f7f66f163e55dc4682783a8/22.jpg" /&#62;
	&#60;img width="2000" height="2700" width_o="2000" height_o="2700" data-src="https://freight.cargo.site/t/original/i/6ec529f96bf3a266636f9b02c683868d2073b83d92b39b12f2678b837d5e58ec/11.jpg" data-mid="21890502" border="0"  src="https://freight.cargo.site/w/1000/i/6ec529f96bf3a266636f9b02c683868d2073b83d92b39b12f2678b837d5e58ec/11.jpg" /&#62;



LE / 1957
From The Immense Journey
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; A billion years have gone into the making of that eye; the water and the salt and the vapors of the sun have built it; things that squirmed in the tide silts have devised it. Light-year beyond light-year, deep beyond deep, the mind may rove by means of it, hanging above the bottomless and surveying impartially the state of matter in the white-dwarf suns.


&#60;img width="2000" height="2509" width_o="2000" height_o="2509" data-src="https://freight.cargo.site/t/original/i/9f15a9a346e395667b6b4d0811b722b055f813700d5ed5914eaeaf061558b729/d.jpg" data-mid="21890515" border="0"  src="https://freight.cargo.site/w/1000/i/9f15a9a346e395667b6b4d0811b722b055f813700d5ed5914eaeaf061558b729/d.jpg" /&#62;

Yet whenever I see a frog’s eye low in the water warily ogling the shoreward landscape, I always think inconsequentially of those twiddling mechanical eyes that mankind manipulates nightly from a thousand observatories. Someday, with a telescopic lens an acre in extent, we are going to see something not to out liking, some looming shape outside there across the great pond of space.

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Whenever I catch a frog’s eye I am aware of this, but I do not find it depressing. I stand quite still and try hard not to move or lift a hand since it would only frighten him. And standing thus it finally comes to me that this is the most enormous extension of vision of which life is capable: the projection of itself into other lives. This is the lonely magnificent power of humanity. It is, far more than any spatial adventure, the supreme epitome of the reaching out.
</description>
		
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	<item>
		<title>Italo Calvino</title>
				
		<link>https://object.cargo.site/Italo-Calvino</link>

		<pubDate>Tue, 07 Aug 2018 21:22:51 +0000</pubDate>

		<dc:creator>Object.International — Cargo Example Site</dc:creator>

		<guid isPermaLink="true">https://object.cargo.site/Italo-Calvino</guid>

		<description>5. Italo Calvino


&#60;img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/7fb542521ee71b7e7a59f40804d14a777983096dd07ec17767a3bbb567d9335c/f.jpg" data-mid="21890928" border="0"  src="https://freight.cargo.site/w/1000/i/7fb542521ee71b7e7a59f40804d14a777983096dd07ec17767a3bbb567d9335c/f.jpg" /&#62;


IC / 1983
From Mr. Palomar&#38;nbsp;
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Only if he manages to bear all the aspects in mind at once can he begin the second phase of the operation: extending this knowledge to the entire universe. 

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; And thus this new phase of his itinerary in search of wisdom is also achieved. Finally his gaze can rove freely inside himself. What will he see? Will his inner world seem to him an immense, calm rotation of a luminous spiral? Will he see stars and planets navigating in silence on the parabolas and ellipses that determine character and destiny? Will he contemplate a sphere of infinite circumference that has the ego as its center and its center in every point? 



	&#60;img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/15affa68becc2f4b4d06a2ce4c8f3b70e11d32aa6d0b19e67349744aa1a06bf3/1a.jpg" data-mid="21891273" border="0"  src="https://freight.cargo.site/w/1000/i/15affa68becc2f4b4d06a2ce4c8f3b70e11d32aa6d0b19e67349744aa1a06bf3/1a.jpg" /&#62;
001a
	&#60;img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/fdf0bbd45e7ece09d919ae8173a2fc68d975527c54e01fe755745a2c5bc08761/1b.jpg" data-mid="21891274" border="0"  src="https://freight.cargo.site/w/1000/i/fdf0bbd45e7ece09d919ae8173a2fc68d975527c54e01fe755745a2c5bc08761/1b.jpg" /&#62;
001b
</description>
		
	</item>
		
		
	<item>
		<title>Giordano Bruno</title>
				
		<link>https://object.cargo.site/Giordano-Bruno</link>

		<pubDate>Tue, 07 Aug 2018 21:34:23 +0000</pubDate>

		<dc:creator>Object.International — Cargo Example Site</dc:creator>

		<guid isPermaLink="true">https://object.cargo.site/Giordano-Bruno</guid>

		<description>6. Giordano Bruno



&#60;img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/e51ef37a704ace96b980256c74a74cb769c3d1216e93bbcabf788c896495b499/1a.jpg" data-mid="21891389" border="0"  src="https://freight.cargo.site/w/1000/i/e51ef37a704ace96b980256c74a74cb769c3d1216e93bbcabf788c896495b499/1a.jpg" /&#62;&#60;img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/7324b1c87fa87e931492cfe8323ba98d1f01124f39092e69394cd75cfbbcb97f/1b.jpg" data-mid="21891390" border="0"  src="https://freight.cargo.site/w/1000/i/7324b1c87fa87e931492cfe8323ba98d1f01124f39092e69394cd75cfbbcb97f/1b.jpg" /&#62;


GB / 1584
From The Expulsion of the Triumphant Beast
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Of the eternal incorporeal substance nothing is changed, is formed or deformed, but there always remains only that thing which cannot be a subject of dissolution, since it is not possible that it be a subject of composition, and therefore, either of itself or by accident, it cannot be said to die.


&#60;img width="2000" height="2416" width_o="2000" height_o="2416" data-src="https://freight.cargo.site/t/original/i/77ea4cfa46b89f526ab87e288230ba96b12d7d45982387198e5c365f3b6a924c/j.jpg" data-mid="21891330" border="0"  src="https://freight.cargo.site/w/1000/i/77ea4cfa46b89f526ab87e288230ba96b12d7d45982387198e5c365f3b6a924c/j.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>John Ashbery</title>
				
		<link>https://object.cargo.site/John-Ashbery</link>

		<pubDate>Tue, 07 Aug 2018 21:38:54 +0000</pubDate>

		<dc:creator>Object.International — Cargo Example Site</dc:creator>

		<guid isPermaLink="true">https://object.cargo.site/John-Ashbery</guid>

		<description>7. John Ashbery



&#60;img width="2000" height="2501" width_o="2000" height_o="2501" data-src="https://freight.cargo.site/t/original/i/f1aa9de6b248b58d0a7aa9bfe48e11b2813b6e937033f0aaaa0e292e4dcc162d/i.jpg" data-mid="21891565" border="0"  src="https://freight.cargo.site/w/1000/i/f1aa9de6b248b58d0a7aa9bfe48e11b2813b6e937033f0aaaa0e292e4dcc162d/i.jpg" /&#62;




JA / 1970
From The Double Dream of Spring
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; All kinds of things exist, and, what is more, Specimens of these things, which do not make themselves known. / I am speaking of the laugh of the squire and the spur /&#38;nbsp;Which are like a hole in the armor of the day. /&#38;nbsp;It’s annoying and then it's so natural 

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; That we experience almost no feeling / Except a certain lightness which matches /&#38;nbsp;The recent closed ambiance which is, besides, /&#38;nbsp;Full of attentions for us. Thus, lightness and wealth. 

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; But the existence of all these things and especially / The amazing fullness of their number must be /&#38;nbsp;For us a source of unforgettable questions: /&#38;nbsp;Such as: whence does all this come? and again: /&#38;nbsp;Shall I some day be a part of all this fullness? 


…Everything is a landscape



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001a
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001b
</description>
		
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	<item>
		<title>Philip Ball</title>
				
		<link>https://object.cargo.site/Philip-Ball</link>

		<pubDate>Tue, 28 Aug 2018 17:41:05 +0000</pubDate>

		<dc:creator>Object.International — Cargo Example Site</dc:creator>

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		<description>
8. Philip Ball



&#60;img width="2000" height="2223" width_o="2000" height_o="2223" data-src="https://freight.cargo.site/t/original/i/f4a911bfae38a3c7aa25c6a2b444585435e83a80c9fe4d9d500514b341f2244d/a.jpg" data-mid="23121447" border="0"  src="https://freight.cargo.site/w/1000/i/f4a911bfae38a3c7aa25c6a2b444585435e83a80c9fe4d9d500514b341f2244d/a.jpg" /&#62;

PB / 2016From The Quantum Origin of Time, BBC
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; … we can regard retrocausality as a kind of fuzziness in the “crystallisation of the present” — Ellis has argued that the past is not always fully defined at any instant. It is like a block of ice that contains little blobs of water that have not yet crystallized. Even though the broad outline of events at a particular instant has been decided, some of the fine details remain fluid until a later time. Then, when this “fixing” of the details happens, it looks like they have retrospective consequences.



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001a
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001b
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	<item>
		<title>Trumbull Stickney</title>
				
		<link>https://object.cargo.site/Trumbull-Stickney</link>

		<pubDate>Tue, 28 Aug 2018 18:17:21 +0000</pubDate>

		<dc:creator>Object.International — Cargo Example Site</dc:creator>

		<guid isPermaLink="true">https://object.cargo.site/Trumbull-Stickney</guid>

		<description>
9. Trumbull Stickney




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TS / 1904
From The Soul of Time

Time’s a circumference

Whereof the segment of our station seems

A long straight line from nothing into naught.

Therefore we say “progress,” “infinity” —

Dull words whose object

Hangs in the air of error and delights

Our boyish minds a hunt for butterflies.

For aspiration studies not the sky

But looks for stars


&#60;img width="2000" height="2312" width_o="2000" height_o="2312" data-src="https://freight.cargo.site/t/original/i/ac298deaa2723792d80af86bf4fe2ff08cd020ac2cad3ac5060af01a9b00c041/a1.jpg" data-mid="23124903" border="0"  src="https://freight.cargo.site/w/1000/i/ac298deaa2723792d80af86bf4fe2ff08cd020ac2cad3ac5060af01a9b00c041/a1.jpg" /&#62;

TS / 1905
From I Used to Think


I used to think 

The mind essential in the body, even 

As stood the body essential in the mind: 

Two inseparable things, by nature equal 

And similar, and in creation’s song 

Halving the total scale: it is not so. 

Unlike and cross like driftwood sticks they come 

Churned in the giddy trough: a chunk of pine, 

A slab of rosewood: mangled each on each 

With knocks and friction, or in deadly pain 

Sheathing each other’s splinters: till at last 

Without all stuff or shape they’re jetted up 

Where in the bluish moisture rot whate’er 

Was vomited in horror from the sea.</description>
		
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